The remaining bars (Bars 110-124) are based on diminished seventh broken chords. YearTitle / PerformerLabel / Catalog 2021Chopin: Etudes Op. Returns to B minor in Bars 1101-109, with a dominant pedal and some chromaticism, ending on a dominant ninth chord in Bar 109. 16th October 2019 Robert Schumann Hochschule Dusseldorf Janusz Olejniczak piano Programme: Fryderyk Chopin Lento con gran espressione WN 37 Nocturne E Minor WN 23 Nocturne C Minor Op. B:īars 69-124: Agitato. Begins with a sequence based on the rhythm and figurations of the main theme, using the chord progression iv-V7-I in D major (Bars 69-72), F sharp minor (Bars 73-76), and A major (Bars 77-79).įollowed by another sequence, using a French augmented sixth and dominant chords of C sharp minor (Bars 80-81), C minor (Bars 82-83) and B minor (Bars 84-85).īars 86-101 are in F sharp major (dominant major) with a flattened sixth (D natural), with perfect cadences in Bars 92-93 and 100-101. E sharp in Bar 27, G sharp in Bar 29) but no modulation.īars 44-68: Interlude, softer, with occasional loud outbursts, all in B minor, ending with a perfect cadence in Bars 66-67. Bars 29-32, 37, 39, 41, 44), and some chromatic unessential notes (e.g. Ballades 1 & 2, Scherzo 4 (for piano) Fryderyk Chopin (ANALYSIS) CHOP59 ChopinF Level VI Analysis AUD 14. The passage which follows is all in B minor, with a dominant pedal in Bars 25-36, frequent diminished seventh chords (e.g. Categories Romantic Period, Solo Keyboard Tags Arthur Rubinstein, Chopin, Chopin Scherzo No. Bars 9-44: The main theme is heard in B minor with tonic pedal in the bass (Bars 9-16) then E minor with dominant pedal in the bass (Bars 17-24).